forms (often quite flat ones) and engender high drama.
His friend and sister-in-law, painter Berthe Morisot, tried to persuade him to paint in the lighter hues of the Impressionists. But though the Impressionists were both his friends and his great admirers, Manet followed his own muse and continued to explore the many uses and advantages of black.
Right now at the Frist in Nashville, Tennessee, we are lucky to have a splendid exhibit from Musee d'Orsay. Along with numerous other masterpieces, the exhibit gives us a cornucopia of Manets in which Edouard shows us the depths and wonders of the non-color black.
My painting, Like a Melody also uses black for composition, contrast and drama. It's a color needed in almost every palette... even the impressionistic.
Like a Melody is an 18x14 oil done in open studio.
Pieces by (clockwise from left to right) : Susan Harlan, Janet Garner, Shirley Fachilla, Mike Martino and Topper Williams. So many ...
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I just took a Peggi Kroll Roberts workshop and this post is about our favorite exercise, an exercise intended to prove the importance o...