Monday, June 23, 2014

How is a Max Like a Carolyn?

The last painting I did in the Max Ginsburg workshop on day five.

I made a surprising discovery during Max Ginburg’s workshop, he paints like Carolyn Anderson. If you’re familiar with the work of both, you will realize that I’ve just made a rather amazing statement. For though both are primarily figurative artists, their paintings look nothing alike.
Carolyn’s are sometimes close to abstraction; Max’s are sometimes so polished and finished they might be mistaken for reality.
Both say that they are always drawing as they paint. And both work in the same intuitive way with a bare minimum of any sort of measuring. Instead they rely on the angles and relationships between shapes to get proportions right. Both strive to capture the gesture and to do it without losing the accuracy of their drawing. (much easier said than done and so important when painting the figure.) They both correct throughout the painting process and are always adjusting and refining brushstroke by brushstroke. 

Their method allows for precision with fluidity, accuracy with freshness. 
It’s what I also strive to accomplish. I'm just so lucky to have found two such different, yet similar, masters to inspire me.     

Wednesday, June 11, 2014

Five Days with the Master, Max Ginsburg

My work from the first day 
I’ve just finished a wonderful learning experience, a five day workshop with Max Ginsburg right here in my home city of Nashville, Tennessee.
I knew Max was an amazing draughtsman, and artist friend Mike Sowers had told us that he was a good teacher. (Mike had taken a workshop from Max at the Art Students League in New York.) So I had high expectations, expectations that were not only met but exceeded.
Max’s work ethic astonished. We started early; we stayed late. Jeanie Smith, the creator of  Warehouse 521 Max’s venue in Nashville, brought in lunch and Max proceeded to lecture during lunchtime! He did demos for us almost every day, but the demos were quick so we would have time to paint and learn from his lead.  And he brought a stack of his beautiful little paintings for us to learn from as well. Some were quite finished and polished; others were very painterly.  All were gorgeous.

More about what I learned from Max in my next post. Some of that learning was quite surprising!  

Is it too early to send an invitation?

Pieces by (clockwise from left to right) : Susan Harlan, Janet Garner, Shirley Fachilla, Mike Martino and Topper Williams. So many ...