Improbable Painted Daisies is a 20x10 oil done from life by Shirley Fachilla.
Actually I don’t know if the flowers were really daisies, much less the painted daisy variety. I found them at the grocery store and couldn’t resist the color combination of deep purple petals and neon green centers. I also loved that they were so perfect… well except for the one that I almost beheaded. That one had to be included in my painting in all its imperfection.
This particular still life let me utilize one of the perks of painting on an untoned white canvas.
See that sort of luminous red and blue in the middle of the vase? Using oil you can only achieve that sort of color if you are floating a transparent oil color (in this case permanent alizarin for the red and a combo of blues for the blue) on a white, untoned canvas. The white of the canvas shows through the transparent paint like the white of the paper shows through a wash in watercolor. But with oil, the color keeps a very high degree of saturation (definition found in ArtfulDefinitions).
Every once in a while, I have the opportunity to make use of this little trick. I love the look it gives.
On the subject of still life (which rarely comes up in this blog), Brian Sherwin has something interesting to say in one of his latest ArtEdge emails. I think I may agree, at least in part, about the value of symbolism with still life though I do think his symbolic examples may be too straightforward. Personally, I find a great deal of very subtle whimsical symbolism in Carol Marine's little still lifes (whether or not they include her porcelain pig). How about you?